Hi all, I am noodling around and composing small chord sequence :
Emaj7 | F#-7(9) | Emaj7 | F#-7(9)
B/ C# | A/B | Emaj7 | ?????
Not sure what would be better conclusion - D#-7 or B7(13) . Or maybe something completely different?
Try the A/B again (acting like a B11), very George Benson or maybe try a B7sus4 - (Tomo uses this in Kyoto, although G7sus4).
Even a B/C# and change key to F#Major.
Dm7b5 and then G#7 could lead you to a C#m7 (sounds like a section B).
Heaps to choose from.
Have fun!
Konstantin Pribluda
B7 sus 4 sounds good
Jonathan C Avery