Tomo, going through this lesson I realized that doing triads up and down the neck to improvise is significantly more work than using the pentatonic scale. I'm sure the multiple triad approach facilitates learning on a deeper level, it must, considering the effort involved vs just using the Pentatonic scale. Please do a lesson to contrast the difference between using the multiple triads following the cords vs using the using the pentatonic scale.
I personally have put in the practice. Learn your Triads up and down the neck. It's not the same. You are learning all your dorian, Liolian, mixolidian scales and will recognize it after you put in the work. Also you will pick up the caged method and not even know that's happening at the same time. So again learn your Triads. Lastly once you learn Triads you learn how to play music in a musical manner because you are learning 1,3,5. Then learn your minors. It helps develop your fingers as well.
Here is Tomo's comment:
"Thanks so much for subscribing to my Guitar Wisdom. Even when you are playing a simple pentatonic scale, you need to know exactly where you are at all times. That’s why learning triads all over the fretboard is so important. In order to be able to play triads over the chord changes, you need to know the triads that are involved with the chord progression. To look for lessons related to your post, please use the SEARCH feature on this site."
Kurt Schubert
`I really appreciate the knowledge that Tomo is providing us. I am so grateful or his guidance. While I was watching B13, I realized that, yes, what it takes is simply practice. I think that once I practice these triad chords 300 times, my muscle memory will begin to move my fret hand where it needs to be. Thank you so much!