Tomo Fujita Guitar Wisdom

Hello fellow musicians!

Let say you are practicing the 1, 4, 5 (C, F, G) in C major on the 3, 2, 1 string. is it right to sing their correct solfege relative to the C major scale? For example, Tomo always sing DO, MI, SOL, then MI SOL DO, and SOL DO MI.

But, shouldn't it be DO MI SO (C, E, G), FA, LA, DO (F, A, C), SOL, TI, RE (G, B, D)? because that you would hear how these chord sound and feel relative to the key you are in,

Any thoughts?

Thanks!

Interesting question and something I've thought about for just regular intervals... "Should I think of the notes of an F chord in the key of C as being the 1-3-5 of the 4 chord or as the 4-6-1 of the key?" In the end, I think the answer is both. It depends on the context and what you are working on, chords or melodies.

Hi wing, good question, honestly i think TOmo using Do-Mi-So as a thinking in 3 ways, thinking in numbers 1 3 5, do mi so, c e g. Do mi so or mi so do, just helps in remembering if you starting from Mi 3rd, So 5th or Do Root shape, its easier to think that way, i usually think in that way, because its easier on mind, now im just trying to figure really the name of the notes too, thats i think is next level.