My two-cents:
Music is a language, and we use that language to create and communicate with others (or ourselves). And progress can be measured within that framework.
For beginners, it’s okay to look at the fretboard and slowly find notes and chords. You have to learn the alphabet and simple words before your sentences make sense.
Intermediates can play with (some) intent, and they can “say things” and communicate with other musicians. They can play some chords and make some music, but they come up against their limits after a few songs.
The language starts to open up for advanced players. In addition to having some technical proficiencies in their fingers, they can embark on a process of discovery in order to communicate what is in their heart. They don’t know where the solo is going, but they know it’s going to be good.
I also believe, however, that true artistry can occur at any of these levels. I’m always amazed at how some artists can take just a few simple notes and create something amazing and beautiful (Freddie King, anyone?). They have transcended the beg / int / adv categories. Three chords strummed fluently can have the same power as a blazing guitar riff.
I love listening to the forum members during the July Challenge. There’s music there!
Thanks for reading.
Thank you Linda for sharing your point of view on this topic!
Lovely description on each level. I love that!
That’s so true about “true artistry” can happen at any levels!
That’s a true beauty of “Limitation” in great way!
I really enjoyed reading all comments on July Challenge threds!
I will read more!
Tomo
Thank you, Tomo. We are all learning to love limitations!
Wow Linda, I like your response, very poetic and well thought. Thank you for sharing.
You're very welocom Linda!
So happy to hear that. I love good limitaions.
For example when you are learning improvisation.
First thing I would is limit playing/learning area.
Like only top 1234 strings.
No above 12th fret etc.
Or Only 654 set strings.
Up to 10th fret etc.
Tomo