AT11 Applying Scales & Arpeggios - I Maj7 & IV Maj7
Applied Theory I • 17m
Applying Scales & Arpeggios over I Maj7 & IV Maj7. Review EMaj7 & AMaj7. E Major pentatonic. E minor pentatonic. Arpeggios. Chromatic notes. Bending. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. Pickboy 1.00 mm TF Signature. Providence E205TF Cables. One Control Sea Turquoise Delay. One Control Prussian Blue reverb. Ultra Phonix overdrive. BOSS RC-3 Loop Station.
Up Next in Applied Theory I
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AT12 Funk Rhythm Guitar G7 C7
Applied Theory: Funk Rhythm Guitar G7 C7. Chord Voicings. Fills: V minor and VI minor. Guitar: MB Guitars T-Style. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1.00 mm TF Signature. Providence E205TF Cables.
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AT13 Triads & Double Stops - Hendrix ...
Triads & Double Stops – Hendrix Fills. Triads, Major Pentatonic Scale, 3rd 4th and 6th Fills. This is an advanced lesson! Pay attention to degrees and intervals! Guitar: Fender Custom Shop Stratocaster. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickbo...
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AT14 Joe Pass Style Jazz Chords
Joe Pass Style Jazz Chords. Chord voicings, inversions, chord melody. This is an advanced lesson! For background, see “There Will Never Be Another You” in The Real Book and study the lesson on “Another You” in the Jazz Standards section. Guitar: Fender 1978 Mustang (re-finished by Kanji Kawabata)...
