Music Theory II - Applied Theory

Music Theory II - Applied Theory

AT01. Applying Diatonic Chords
AT02. A-7 Funk Groove: Triad Approach
AT03. Soloing Ideas for min7 Chords
AT04. Soloing Over Dom7 Chords
AT05. One Six Two Five - 7th Chords
AT06. One Six Two Five Improvisation
AT07. G Blues Rhythm Playing
AT08. Soloing Over G Blues
AT09. Soloing Over Minor Chords
AT10. Applying Drop 2 Voicings and More
AT11. Applying Scales & Arpeggios - EMaj7 AMaj7
AT12. Funk Rhythm Guitar G7 C7
AT13. Triads & Double Stops - Hendrix Fills
AT14. Joe Pass Style Jazz Chords

Subscribe Share
Music Theory II - Applied Theory
  • AT01 Applying Diatonic Chords

    Applying Diatonic Chords. Start with triads: Major, minor, diminished, augmented, sus2 and sus4. Use diatonic chords, based on C Major scale. Play chord progressions in C and G. Key words: diatonic chords, triads, minor triad, diminished triad, augmented triad, sus2, sus4, ear training, chord pro...

  • AT02 A-7 Funk Groove - Triad Approach

    A-7 Funk Groove: Triad Approach. Think in the Key of G. Voice leading with triads. This is an intermediate/advanced lesson. Background information is available in Theory I videos. Guitar: PRS Silver Sky. Fender Pro Reverb (2). D’Addario Strings. Pickboy TF Signature.

  • AT03 Soloing Ideas for minor 7th Chords

    Soloing Ideas for min7 Chords. A minor pentatonic. CMaj7 arpeggios. Relative Major and minor. Discover new positions and fingerings. Chromatic approach. This is an advanced lesson. For background information, see Theory I and Foundation & Technique. Guitar: Fender 1961 Musicmaster. Fender Musicma...

  • AT04 Soloing Over Dom7 Chords

    Soloing over Dominant 7th Chords (D7 & C7). Triads. Mixolydian scale. Arpeggios. Playing the Maj7 Arpeggio of the b7. Lydian b7. Hints of Jerry Garcia. This is an advanced lesson. See Music Theory I for background information. Guitar: PRS Silver Sky in Roxy Pink. Fender Musicmaster Bass Amp. Klon...

  • AT05 One, Six, Two, Five - 7th Chords with Tensions

    One, Six, Two, Five – 7th Chords with Tensions. Twelve Examples. This is an advanced lesson. Guitar: Ibanez AZES31. Fender Musicmaster Bass Amp. One Control Prussian Blue reverb pedal. Providence Cables E205TF. D’Addario Strings. Pickboy TF Signature.

  • AT06 One Six Two Five - Improvisation

    One Six Two Five – Improvisation. Major scale, pentatonic scales, Arpeggios, Altered Scale. This is an advanced lesson. Guitar: Fender 1957 Musicmaster. Fender Musicmaster Bass Amp. Mythos Mjolnir overdrive pedal. D’Addario EXL115 (.011 - .049) Strings. Pickboy TF Signature.

  • AT07 G Blues Rhythm Playing

    G Blues Rhythm Playing. Guide Tones. Triads: One + Four, One Four Five minor, Six minor + Five minor. This is an advanced lesson. For background information, see Music Theory I videos and Blues Lessons. Guitar: Kanji Hard Tail. Fender Pro Reverb Amps (2). D’Addario EXL110 (.010 - .046) Strings. P...

  • AT08 Soloing Over G Blues

    Soloing Over G Blues. Chord Tone Playing. G Major pentatonic and G minor pentatonic. Bending phrases. Diatonic phrasing. Vibrato: timing and speed. Guitar: Kanji Hard Tail. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. Pickboy TF Signature. Prussian Blue Reverb pedal. Mythos Mjo...

  • AT09 Soloing Over Minor Chords

    Soloing Over Minor Chords. Simple chords: applying tensions. C minor pentatonic: melodic and rhythmic playing. Using 6th intervals. Playing a Maj7 arpeggio that is a minor third above a min7 chord. This is an advanced lesson. For background, see Music Theory I, Foundation & Technique videos, etc....

  • AT10 Applying Drop 2 Voicings and More

    Applying Drop 2 Voicings and More. EMaj7 & AMaj7. Drop 2 voicings. Playing 3rd & 4th fills. E Major pentatonic fills. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. ...

  • AT11 Applying Scales & Arpeggios - I Maj7 & IV Maj7

    Applying Scales & Arpeggios over I Maj7 & IV Maj7. Review EMaj7 & AMaj7. E Major pentatonic. E minor pentatonic. Arpeggios. Chromatic notes. Bending. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addari...

  • AT12 Funk Rhythm Guitar G7 C7

    Applied Theory: Funk Rhythm Guitar G7 C7. Chord Voicings. Fills: V minor and VI minor. Guitar: MB Guitars T-Style. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1.00 mm TF Signature. Providence E205TF Cables.

  • AT13 Triads & Double Stops - Hendrix Fills

    Triads & Double Stops – Hendrix Fills. Triads, Major Pentatonic Scale, 3rd 4th and 6th Fills. This is an advanced lesson! Pay attention to degrees and intervals! Guitar: Fender Custom Shop Stratocaster. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1....

  • AT14 Joe Pass Style Jazz Chords

    Joe Pass Style Jazz Chords. Chord voicings, inversions, chord melody. This is an advanced lesson! For background, see “There Will Never Be Another You” in The Real Book and study the lesson on “Another You” in the Jazz Standards section. Guitar: Fender 1978 Mustang (re-finished by Kanji Kawabata)...