Music Theory II - Applied Theory

Music Theory II - Applied Theory

AT01. Applying Diatonic Chords
AT02. A-7 Funk Groove: Triad Approach
AT03. Soloing Ideas for min7 Chords
AT04. Soloing Over Dom7 Chords
AT05. One, Six, Two, Five - 7th Chords

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Music Theory II - Applied Theory
  • AT01 Applying Diatonic Chords

    Applying Diatonic Chords. Start with triads: Major, minor, diminished, augmented, sus2 and sus4. Use diatonic chords, based on C Major scale. Play chord progressions in C and G. Key words: diatonic chords, triads, minor triad, diminished triad, augmented triad, sus2, sus4, ear training, chord pro...

  • AT02 A-7 Funk Groove - Triad Approach

    A-7 Funk Groove: Triad Approach. Think in the Key of G. Voice leading with triads. This is an intermediate/advanced lesson. Background information is available in Theory I videos. Guitar: PRS Silver Sky. Fender Pro Reverb (2). D’Addario Strings. Pickboy TF Signature.

  • AT03 Soloing Ideas for minor 7th Chords

    Soloing Ideas for min7 Chords. A minor pentatonic. CMaj7 arpeggios. Relative Major and minor. Discover new positions and fingerings. Chromatic approach. This is an advanced lesson. For background information, see Theory I and Foundation & Technique. Guitar: Fender 1961 Musicmaster. Fender Musicma...

  • AT04 Soloing Over Dom7 Chords

    Soloing over Dominant 7th Chords (D7 & C7). Triads. Mixolydian scale. Arpeggios. Playing the Maj7 Arpeggio of the b7. Lydian b7. Hints of Jerry Garcia. This is an advanced lesson. See Music Theory I for background information. Guitar: PRS Silver Sky in Roxy Pink. Fender Musicmaster Bass Amp. Klon...

  • AT05 One, Six, Two, Five - 7th Chords with Tensions

    One, Six, Two, Five – 7th Chords with Tensions. Twelve Examples. This is an advanced lesson. Guitar: Ibanez AZES31. Fender Musicmaster Bass Amp. One Control Prussian Blue reverb pedal. Providence Cables E205TF. D’Addario Strings. Pickboy TF Signature.