Applying Diatonic Chords. Start with triads: Major, minor, diminished, augmented, sus2 and sus4. Use diatonic chords, based on C Major scale. Play chord progressions in C and G. Key words: diatonic chords, triads, minor triad, diminished triad, augmented triad, sus2, sus4, ear training, chord pro...

A-7 Funk Groove: Triad Approach. Think in the Key of G. Voice leading with triads. This is an intermediate/advanced lesson. Background information is available in Theory I videos. Guitar: PRS Silver Sky. Fender Pro Reverb (2). D’Addario Strings. Pickboy TF Signature.

Soloing Ideas for min7 Chords. A minor pentatonic. CMaj7 arpeggios. Relative Major and minor. Discover new positions and fingerings. Chromatic approach. This is an advanced lesson. For background information, see Theory I and Foundation & Technique. Guitar: Fender 1961 Musicmaster. Fender Musicma...

Soloing over Dominant 7th Chords (D7 & C7). Triads. Mixolydian scale. Arpeggios. Playing the Maj7 Arpeggio of the b7. Lydian b7. Hints of Jerry Garcia. This is an advanced lesson. See Music Theory I for background information. Guitar: PRS Silver Sky in Roxy Pink. Fender Musicmaster Bass Amp. Klon...

One, Six, Two, Five – 7th Chords with Tensions. Twelve Examples. This is an advanced lesson. Guitar: Ibanez AZES31. Fender Musicmaster Bass Amp. One Control Prussian Blue reverb pedal. Providence Cables E205TF. D’Addario Strings. Pickboy TF Signature.

One Six Two Five – Improvisation. Major scale, pentatonic scales, Arpeggios, Altered Scale. This is an advanced lesson. Guitar: Fender 1957 Musicmaster. Fender Musicmaster Bass Amp. Mythos Mjolnir overdrive pedal. D’Addario EXL115 (.011 - .049) Strings. Pickboy TF Signature.

G Blues Rhythm Playing. Guide Tones. Triads: One + Four, One Four Five minor, Six minor + Five minor. This is an advanced lesson. For background information, see Music Theory I videos and Blues Lessons. Guitar: Kanji Hard Tail. Fender Pro Reverb Amps (2). D’Addario EXL110 (.010 - .046) Strings. P...

Soloing Over G Blues. Chord Tone Playing. G Major pentatonic and G minor pentatonic. Bending phrases. Diatonic phrasing. Vibrato: timing and speed. Guitar: Kanji Hard Tail. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. Pickboy TF Signature. Prussian Blue Reverb pedal. Mythos Mjo...

Soloing Over Minor Chords. Simple chords: applying tensions. C minor pentatonic: melodic and rhythmic playing. Using 6th intervals. Playing a Maj7 arpeggio that is a minor third above a min7 chord. This is an advanced lesson. For background, see Music Theory I, Foundation & Technique videos, etc....

Applying Drop 2 Voicings and More. EMaj7 & AMaj7. Drop 2 voicings. Playing 3rd & 4th fills. E Major pentatonic fills. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. ...

Applying Scales & Arpeggios over I Maj7 & IV Maj7. Review EMaj7 & AMaj7. E Major pentatonic. E minor pentatonic. Arpeggios. Chromatic notes. Bending. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addari...

Applied Theory: Funk Rhythm Guitar G7 C7. Chord Voicings. Fills: V minor and VI minor. Guitar: MB Guitars T-Style. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1.00 mm TF Signature. Providence E205TF Cables.

Triads & Double Stops – Hendrix Fills. Triads, Major Pentatonic Scale, 3rd 4th and 6th Fills. This is an advanced lesson! Pay attention to degrees and intervals! Guitar: Fender Custom Shop Stratocaster. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1....

Joe Pass Style Jazz Chords. Chord voicings, inversions, chord melody. This is an advanced lesson! For background, see “There Will Never Be Another You” in The Real Book and study the lesson on “Another You” in the Jazz Standards section. Guitar: Fender 1978 Mustang (re-finished by Kanji Kawabata)...

Using min7(b5) Chords + Tension Chords. Two, Five, One in a minor key. Use these chords with other Blue Bossa chords. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario ECG23 (.010-.048) CHROMES. Lehle P-Split. Providence E205TF Cables. Pickboy TF Signature.

Colorful Chords, Sub V, Tensions. Jazz Chords, Fingerpicking, Chord Melody. Guitar: Kanji TF Signature. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy 1.00 mm TF Signature.

Chord Reharmonization in B- Blues. Minor Blues Form, Chord Tensions, Chord Substitution and Reharmonization. Guitar: Kanji TF Signature. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy TF Signature Picks.

Playing Triad Pairs over a One-Chord Vamp. Mixolydian Triads. I + bVII Triads. Ryo Guitar. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EJ21 (.012 - .052) Strings. Providence E205TF Cables. Pickboy TF Signature.

Phrasing & Fills with 6th Intervals. Fingerpicking. A few words about jamming. Guitar: Gibson Custom Shop 1961 Les Paul SG. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy TF Signature.

Phrasing in Thirds. Following the chords in a I IV V progression. Guitar: Ibanez AZES31. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy TF Signature.