Music Theory II - Applied Theory

Music Theory II - Applied Theory

AT01. Applying Diatonic Chords
AT02. A-7 Funk Groove: Triad Approach
AT03. Soloing Ideas for min7 Chords
AT04. Soloing Over Dom7 Chords
AT05. One Six Two Five - 7th Chords
AT06. One Six Two Five Improvisation
AT07. G Blues Rhythm Playing
AT08. Soloing Over G Blues
AT09. Soloing Over Minor Chords
AT10. Applying Drop 2 Voicings and More
AT11. Applying Scales & Arpeggios - EMaj7 AMaj7

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Music Theory II - Applied Theory
  • AT01 Applying Diatonic Chords

    Applying Diatonic Chords. Start with triads: Major, minor, diminished, augmented, sus2 and sus4. Use diatonic chords, based on C Major scale. Play chord progressions in C and G. Key words: diatonic chords, triads, minor triad, diminished triad, augmented triad, sus2, sus4, ear training, chord pro...

  • AT02 A-7 Funk Groove - Triad Approach

    A-7 Funk Groove: Triad Approach. Think in the Key of G. Voice leading with triads. This is an intermediate/advanced lesson. Background information is available in Theory I videos. Guitar: PRS Silver Sky. Fender Pro Reverb (2). D’Addario Strings. Pickboy TF Signature.

  • AT03 Soloing Ideas for minor 7th Chords

    Soloing Ideas for min7 Chords. A minor pentatonic. CMaj7 arpeggios. Relative Major and minor. Discover new positions and fingerings. Chromatic approach. This is an advanced lesson. For background information, see Theory I and Foundation & Technique. Guitar: Fender 1961 Musicmaster. Fender Musicma...

  • AT04 Soloing Over Dom7 Chords

    Soloing over Dominant 7th Chords (D7 & C7). Triads. Mixolydian scale. Arpeggios. Playing the Maj7 Arpeggio of the b7. Lydian b7. Hints of Jerry Garcia. This is an advanced lesson. See Music Theory I for background information. Guitar: PRS Silver Sky in Roxy Pink. Fender Musicmaster Bass Amp. Klon...

  • AT05 One, Six, Two, Five - 7th Chords with Tensions

    One, Six, Two, Five – 7th Chords with Tensions. Twelve Examples. This is an advanced lesson. Guitar: Ibanez AZES31. Fender Musicmaster Bass Amp. One Control Prussian Blue reverb pedal. Providence Cables E205TF. D’Addario Strings. Pickboy TF Signature.

  • AT06 One Six Two Five - Improvisation

    One Six Two Five – Improvisation. Major scale, pentatonic scales, Arpeggios, Altered Scale. This is an advanced lesson. Guitar: Fender 1957 Musicmaster. Fender Musicmaster Bass Amp. Mythos Mjolnir overdrive pedal. D’Addario EXL115 (.011 - .049) Strings. Pickboy TF Signature.

  • AT07 G Blues Rhythm Playing

    G Blues Rhythm Playing. Guide Tones. Triads: One + Four, One Four Five minor, Six minor + Five minor. This is an advanced lesson. For background information, see Music Theory I videos and Blues Lessons. Guitar: Kanji Hard Tail. Fender Pro Reverb Amps (2). D’Addario EXL110 (.010 - .046) Strings. P...

  • AT08 Soloing Over G Blues

    Soloing Over G Blues. Chord Tone Playing. G Major pentatonic and G minor pentatonic. Bending phrases. Diatonic phrasing. Vibrato: timing and speed. Guitar: Kanji Hard Tail. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. Pickboy TF Signature. Prussian Blue Reverb pedal. Mythos Mjo...

  • AT09 Soloing Over Minor Chords

    Soloing Over Minor Chords. Simple chords: applying tensions. C minor pentatonic: melodic and rhythmic playing. Using 6th intervals. Playing a Maj7 arpeggio that is a minor third above a min7 chord. This is an advanced lesson. For background, see Music Theory I, Foundation & Technique videos, etc....

  • AT10 Applying Drop 2 Voicings and More

    Applying Drop 2 Voicings and More. EMaj7 & AMaj7. Drop 2 voicings. Playing 3rd & 4th fills. E Major pentatonic fills. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. ...

  • AT11 Applying Scales & Arpeggios - I Maj7 & IV Maj7

    Applying Scales & Arpeggios over I Maj7 & IV Maj7. Review EMaj7 & AMaj7. E Major pentatonic. E minor pentatonic. Arpeggios. Chromatic notes. Bending. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addari...