AT15 Using minor 7 (b5) Chords + Tensions
Fretboard Harmony: Applied Theory Part 1
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14m
Using min7(b5) Chords + Tension Chords. Two, Five, One in a minor key. Use these chords with other Blue Bossa chords. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario ECG23 (.010-.048) CHROMES. Lehle P-Split. Providence E205TF Cables. Pickboy TF Signature.
Up Next in Fretboard Harmony: Applied Theory Part 1
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AT16 Colorful Chords, Sub V, Tensions
Colorful Chords, Sub V, Tensions. Jazz Chords, Fingerpicking, Chord Melody. Guitar: Kanji TF Signature. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy 1.00 mm TF Signature.
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AT17 Chord Reharmonization in B- Blues
Chord Reharmonization in B- Blues. Minor Blues Form, Chord Tensions, Chord Substitution and Reharmonization. Guitar: Kanji TF Signature. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EXL110 (.010 - .046) Strings. Providence E205TF Cables. Pickboy TF Signature Picks.
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AT18 Playing Triad Pairs over a One-C...
Playing Triad Pairs over a One-Chord Vamp. Mixolydian Triads. I + bVII Triads. Ryo Guitar. Fender Pro Reverb Amps (2). Lehle P-Split. BOSS RC-3 Loop Station. D’Addario EJ21 (.012 - .052) Strings. Providence E205TF Cables. Pickboy TF Signature.