Thank you Cruz, Jordan, Mija, Scott, Rich, Jeff, Matt, Johno and Clay for watching this live stream and sharing your experience. I really appreciate it! This topic is super important to improve yourself as a musician. Listening, deep listening and learn a lot of details are so helpful to improve your performance skills.
Yes! I always love to learn ONE THING from one person so I listen deeply when people are listening. I try not to talk too much. So other will talk more. I try not to afraid to ask any questions. (Not too many. Maybe 2 questions)
A few songs. Not too many. 3 songs are plenty to learn. Amazing Grace is a great melody!
The balance is very important key as well as “how long” = not too long, not too much. Just like sleeping, eating… I still practice the fundamentals: Chromatic Scale 1212 3212 3432 1234, 4343 2343 2123 4321 only 4th and 3rd string from 1st fret to 9th fret (first finger) repeat this 2-3 times. Then I play simple etude solo. Could be melody or any simple solo etude or classical etude. 3-4 times to repeat. This solo etude could be 30 to 45 seconds. Then I do deep practiciong with R 3 7 / R 7 3 Swing Groove. I would do 10 to 30 minutes or more. This can teach you time feel, muting techniques, chord progressions and more! This part can be exchangeable. I would do blues a lot. Then jazz blues to any Jazz Standards (Only need to know 5-6 tunes.) Do this everyday Narrow down is always great CHOICE! Consistency is very important. I don’t follow only my intuition. Think deeper and do not afraid trials and mistakes.
The Blue Monk melody study is so deep! Muting techniques, time feel, correct picking directions with alernate picking, dynamics, less pressure from fretted hand, picking dynamics and more! You can learn some blues melodoc rhythmic playing from Grant Green, Jack MaCduff etc. Deep lsitening!
Each GW Live Stream. Sammi picks up these topics and she really has been reading everyone’s posts and she got a great sense about choosing these importamt topics. The November Challenge was her idea from her teaching. Plus George’s smart mind warp up things together carefully and deeply. If I run this with only myself then I could confuse you deeply! I listen one this many times without expecting when it’s finished.
I have done some transcripitions in the past. Blues solos, jazz solos, chords and more. Not only writing details parts but also thinking about arrangement or bassline etc. I love horns, keyboard comping too. I was checking my old records in my parents house. My father has been listening these records. I really surprised that I had many records of jazz piano trio! It made a lot of sense! I was serching for chords, comping, bassline = Ron Carter! Many Hank Jones records!
You can transcribe music, chords, solo without writing down those notes on the paper but if you can do this a little.. it is very useful (even just looking at….) where those notes are…. rhythms = tastes and spaces = pacing. Plus same notes and different strings, fingerings, positions etc. Shopping list is good!
Matt - I didn’t know your son is a Berklee grad! Good job! Great team!
Do not worry about transcribing. Better to undestand choices. This reason, knowing a lot of information, jamming and just practicing hours = not really effective. The foundation to build so that techinally to help your musical ideas through guitar. The Leavitt book is one of amazing foundation. It was very helpful for me to focus on my techniques and have learned how important to review each material well and practice it super slowly. Most people would practice with comfortable tempo = good mistake!
Deep listening, transcribing, imitating and learning each material, meldies, solos deeply and slowly! Analyzed chords, intervals etc.
Good job guys!
Tomo