AT09 Soloing Over Minor Chords
Fretboard Harmony: Applied Theory Part 1
•
20m
Soloing Over Minor Chords. Simple chords: applying tensions. C minor pentatonic: melodic and rhythmic playing. Using 6th intervals. Playing a Maj7 arpeggio that is a minor third above a min7 chord. This is an advanced lesson. For background, see Music Theory I, Foundation & Technique videos, etc. Guitar: Kanji Hard Tail. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .046) Strings. Pickboy TF Signature. Providence E205TF Cables. Beetronics OVERHIVE overdrive pedal.
Up Next in Fretboard Harmony: Applied Theory Part 1
-
AT10 Applying Drop 2 Voicings and More
Applying Drop 2 Voicings and More. EMaj7 & AMaj7. Drop 2 voicings. Playing 3rd & 4th fills. E Major pentatonic fills. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reverb (2). D’Addario EXL110 (.010 - .04...
-
AT11 Applying Scales & Arpeggios - I ...
Applying Scales & Arpeggios over I Maj7 & IV Maj7. Review EMaj7 & AMaj7. E Major pentatonic. E minor pentatonic. Arpeggios. Chromatic notes. Bending. This is an advanced lesson. Background information in Theory I, Foundation & Technique, etc. Guitar: Ibanez AZES31. Fender Pro Reve...
-
AT12 Funk Rhythm Guitar G7 C7
Applied Theory: Funk Rhythm Guitar G7 C7. Chord Voicings. Fills: V minor and VI minor. Guitar: MB Guitars T-Style. Fender Pro Reverb Amps (2). Lehle P-Split. D’Addario EXL110 (.010 - .046) Strings. Pickboy 1.00 mm TF Signature. Providence E205TF Cables.
